I called my grandmother, Jane Draine (nee Jackson, Jones), yesterday. At 92, I could hear the surprise and delight that I had called her at 10:30 am on a Sunday morning.
At one point, she used a sentence of appreciation that I had called, signaling that she was wrapping up our call. In those few minutes, Grandmother told me about her health, had humored herself and me about the quality of food that institutions serve our elders and grandparents and remarked about her memory and my mobility. But, I wasn’t done talking since I had more questions for her. I had called to hear her voice as well as pose select questions to her. The mastery of asking questions is increasingly become a tool from the abyss of my soul where I forge history and family.
I asked her about the time and her and Grandfather Hooks’ decisions revolving around my father in the summer between his junior and senior years of high school. In 1960, my grandparents moved from Denver back to Tuskegee. I asked how much Emmett Till factored into her thoughts, heart and soul as she readied to move from integrated Colorado to Jim Crow Alabama. I have been reading about Emmett Louis Till in James H. Cone’s “The Cross and The Lynching Tree” (published by Orbis Books in 2011) this week. When Cone reminded me of Till’s barbaric mutilation and how his mother’s choice to “not let her baby die in vain” was an inflection point for Black America. As Cone says himself, and quotes John Lewis as saying, Emmett Till made them and countless other black boys realize “it could have been me.” It was 1955, when my father would have just turned 12 years old. It turns out that my dad and Emmett share the same birthday, Till born two years earlier.
In 1960, my dad would be 17 when his parents moved to Tuskegee. I read Isabel Wilkerson’s “The Warmth of Other Sons” a month ago, which reminded me on the barbarism of lynching, schooled me on sharecropping, and illustrated how widespread the brutality pushing Blacks out of the South was. Wilkerson makes the case that the Great Migration of six million African Americans between 1910-1970 was one of the (if not the) greatest historical events of the 20th Century US. This was a tide that my grandparents went against as they returned in 1960.
As Grandmother recounted to me over the phone, she and Grandfather chose to send my dad to Charleston, West Virginia, during his senior year to live with Buddy and Grandad Jackson, his maternal grandparents. Grandmother mentioned how the people at the Tuskegee Institute advised them that the high school was not as good.
53 years later, I cannot know how much of it was the pull of better educational options in Charleston or the push of the possibility of lynching and Jim Crow reality. My father would have been young, black and on the verge of manhood. Perceived as a young adult, yet carrying the simple not-knowingness of childhood in a body that was getting bigger and stronger. He would have been coming into a culture, setting and interpersonal dynamics of Tuskegee far different from the Denver he knew as a youth and teenager.
I asked more questions, about decades earlier when Grandmother’s parents hosted Duke whenever he came to Charleston, WV. She said how they held “all of the social activities” whenever he was in town. I asked her if that meant any meals and down time that Duke and his band were not performing. Yes, she said.
Grandmother mentioned how he began writing “Sophisticated Lady” one time he was in their home. Duke first came when she was 7, 8 or 9 years old. She cannot remember when it was the last time she saw him (as he passed in May 1974), though it was in New York. Grandfather approached “Duke” to let him know that they were there and how Duke affectionately recalled “Janie” from Charleston.
I asked her if she was excited during his visits, which she seemed nonchalant about when he was there. Yet, Grandmother recalled how she attempted to learn some of Duke’s songs, including Sophisticated Lady, on a few instruments she had as a child.
All of this family, legacy and lore in a sweet sixteen minutes on a Sunday morning.